Compositions

2023:  

Κρύψου πίσω από την Κουρτίνα, for Harp, E-Guitar, Tenor Saxophone, Clarinet, and Contrabass, premiere by Ensemble TETTTIX, Athens Festival, Νέα Σκηνή, Ωδείο Αθηνών, 24.-25.06.2023,

https://www.ertnews.gr/eidiseis/politismos/festival-athinon-epidayrou-76-paragoges-me-14-ellinika-erga-theatrou-stis-fetines-ekdiloseis-to-programma-analytika/

(A)synchronicity, for Violin, Canon and Celtic Harp, premiere Thessaloniki 25.05.2023

Never Talk to Strangers, for Flute, Oboe, Clarinet, Fagott, Saxophone, French Horn, Trumpet, Trombone, Piano, and Percussion, commissioned by Collegium Novum Zürich, premiere, 21.05.2023, Kulturhaus Helferei Zürich

https://cnz.ch/around-das-blaeserensemble 

Ra-Bā-Bah 2-2-3 for 3 Rababs, commissioned by Symposiumskonzert des Rabab-Projekts, Premiere 29.04.2023, HKB, Bern

https://www.hkb-interpretation.ch/fileadmin/user_upload/documents/Veranstaltungen/2304_Rabab.pdf

Portraits, for Alterna Trio on historical instruments, Hammerklavier, Violin, Cello, commissioned by Piano Trio Fest-2023, premiere 24.02.2023, Nydeggkirche Bern, 17.09.2023, G.Senn in Basel

2022:  

Fragments for Solo Harp, solo Double Bass and Ensemble (femalephilarmonics), commissioned by and premiered in Künstlerhaus Boswil, 04.09.2022

Time Perceptions, for 6 microtonal grand pianos in 12th tone distance, commissioned composition from IGNM Bern, premiere 26./ 27.03.2022

https://www.srf.ch/audio/neue-musik-im-konzert/mystiker-und-klang-utopist-ivan-wyschnegradsky-und-juenger-innen?id=12174303

2021:  

Blind Spot, for 3 violas, Trio Estatico, Selection after call for scores, premiere 01.01.2022

Dialogues and Chimaeras: Dialogue 1, Dialogue 2, for Harp, E-Guitar, Saxophone, Accordion, mechanical conductor and loudspeaker surface, commissioned by Zeiträume Festival, Biennale für Musik und Architektur 9-19 September 2021.

Go within, for solo tenor-saxophone and portable loudspeaker, commissioned by Don Paul Kahl for his CD-production Go Within. (8’)

 https://donpaulkahl.com/en/merch/go-within-debut-solo-album-don-paul-kahl-alessandro-cervino

2019-2021:  

43 in 43. A piece in 5 Cycles 13+1 Scenes on Images and their 12+1 Transitions. A Hommage to Harry Partch. Composed for and dedicated to Ensemble Musikfabrik, for flute, clarinet, horn, trumpet, percussion, piano and Harry Partch instruments, Harmonic Canons I & II, Kitharas I & II, Cloud Chamber Bowls, Chromelodeon I, Gourd Tree, Diamomd Marimba and Bass Marimba. The composition is the artistic product of my dissertation, was recorded in Kölner Philarmonie and will be broadcasted by WDR.

https://www.musikfabrik.eu/de/blog/43-in-43/

2020:  

All around (a Drunk Fugue), for crystal Glasses (8 performers), for Ensemble Proton Bern after “call for score selection” for Protonwerk no. 10 – objects trouvés. Premiere 21.09. 2021

5 Mysterious Scenes, for solo violin commissioned by Mizmorium Festival after “call for score” selection. Premiere 22.01.2021

Sarabande? for solo 19-div microtonal Flügelhorn, commissioned by Stephen Altoft

 

Small, Light Moments for solo piano, on Beethoven’s Op.31 Nr. 1, commissioned by Greek National Opera for the 250th Beethoven’s Jubilee, November 2020

One Minute, for solo Accordion, commissioned by Accordionist Ghenadie Rotari, to be included in his #quarantinediaries, recording 21.06.2020

Small Moments (like these) – The Quartet Version reworking for Flute, Accordion, Cello and Double Bass, selected after a call for scores by Schallfeld Ensemble to be performed during MicroFest Prague 2020 23.04.2020. The premiere was cancelled due to the CoVid-19, performed on 13.08.2020 in Graz

Not Tonight, Games in the Dark, for Solo Violin, Grand Piano, Percussion (in the piano) and Electronics. The piece was commissioned by Kompas Ensemble, resident in Freiburg in Breisgau, for a concert series between the 20th of March and the 15th of April. All concerts were cancelled due to CoVid-19

The Butterfly Effect for big chamber ensemble (Echo Ensemble, based in Berlin) and 3 soloists (Harp, E-Guitar, 5-string Double Bass), commissioned by Akademie der Künste Berlin (Hanseatenweg) as part of the Labor Beethoven 2020, 15.03.2020. The piece was neither performed nor recorded, due to the CoVid-19.

4 Small Pieces at one Tone, reworking for Saxophone Duo (Soprano/Alto, Tenor) premiered and commissioned Akademie der Künste Berlin (Pariser Platz, Black Box) as part of the Labor Beethoven 2020 13.03.2020. The concert was cancelled due to the CoVid-19, but the piece is available on live streaming under the link

Flow (Through Air and Bellows), for Flute, Clarinet, Accordion, Trombone, Violin, Viola, Cello, Double Bass performed in Boswil Music Academie, Premiere 25.01.2020

2019:  

Once Upon a Time for two microtonal Accordions, XAMP Duo, Bludenzer Tage zeitgenössischer Musik, 03.-06.10.2019

Small Moments (like these), for Harp, Flute, Clarinet Bb, Cello and Double Bass, premiered in Marseille, ARCO Festival, Ensemble Multilaterale, 12.07.2019

Rawit, for Ensemble Phoenix Basel (for 14 plus instruments/Trabant Composition Competition), premiered in Gare Du Nord, Basel 08.06.2019

Klanglandschaft (installation) for portable Loudspeakers and Carton Boxes

Would you like to talk with me? for Windspiel Duo (Recorder/Accordion) premiered in MOMus, Thessaloniki’s Port, 15.-18.05.2019

Vertical_Mirror_2, for Arciorgano, E-Guitar, Harp, Trombone and 24 channel tape premiered in 5th Festival fur Microtöne, organized by Studio 31 and IGNM Basel (03.05.2019), H95 Kulturzentrum, Brodcasted by SFR Radio “Ohrenputzer: neue Musik für Mikrotonale Instrumente” on 03.07.2019 at 21:00.

https://neo.mx3.ch/eleniralli

Vertical Mirror for E-Guitar, Accordion, Trombone, Harp and 24 canal tape, premiered and commissioned by Akademie der Künste Berlin (Parisert Platz, Black Box) as part of the Labor Beethoven 2020 project 24.02.2019

2018:  

Silence premiered by Ensemble Platypus in Crossroads Festival Salzburg, 08.12.2018

Blue for Clarinet Bb and Accordion, premiered in Bludenzer Tage zeitgemässer Musik, Bludenz, 18.11.2018

Luft and Bellows, premiered from Delirium Ensemble in cooperation with Studio 31 Basel, 05.10. 2018

A very small amount of something, reworking for string orchestra and 12 solo instruments

L’Arrivee (Music for a film for Peter Tscherkasky), premiered in 2nd Tehran International Electronic Music Festival, 01-08.09.2018

Going Down for Solo Cello, premiered in TACEC Festival, La Plata, Argentina 23.09.2018

ALSB Always leave something behind, Delian Academy for New Music, Grypario Cultural Center, Mykonos Greece 08.06-17.06.2018 (Score Publication by Edition Avantus)

The Score is published by Edition Avantus

https://www.edition-avantus.de/akkordeon-kammermusik/always-leave-something-behind.html

All alone (among the others) I.5, 3rd International Sergei Slonimsky Compositon Competition, for Flute, Tenor/Alto Sax., Cello and piano, Saint Petersburg, Russia, 23.05.2018

ALSB Always leave something behind_2, Sommerliche Musiktage Hitzcker 29.07-02.08.2018

2017:  

Aufwärts, Trio for Quarter tone Accordion, Archiorgano and Archiorgano Bellows Player

Eine kleine Mädchengeschichte, Quartet for Recorder-Ensemble

Whatever makes you happy, Quintet (Flute, Clarinet, Piano, Violin, Cello)

2016: 

Wednesday Morning, 3 AM, (Clarinet, Cello, Piano)

All Alone (among the others) III, (Flute, Clarinet (Bass/ Double Bass), Saxophone, Piano, Viola, Cello)

All alone (among the others) II, (Flute, Saxophon, Piano, Percussion)

Inside-Outside, (Mezzo-Sopran, Flute (Alto), Trombone, Harp, Klavier)

All alone (among the others) dedicated to Meitar Ensemble and Marcus Weiss, (Solo Saxophone, Flute (Alto), Clarinet (Bass), Piano, Viola, Cello)

Double Duo, (Piano Cello)

[S]tring [V]ariations for Pedal Steel Guitar and 3 Celli

Miniature for 3 recorders, dedicated to Ulrike Mayer Spohn

2015: 

Schwebungs Etude, (Fokker organ, violin)

Klangtaucher, Was bekanntes (und nicht), (2 Celli and Flute)

5+ Miniatures for 2 Trombone Players

Imitation Games, (oboe, cello, piano)

Avery small amount of something dedicated to Phoenix Ensemble Basel, (flute, oboe, clarinet, bassoon, horn, trumpet, trombone, harp, piano, 1 percussionst, violin, viola, cello, contrabass)

Circle around the Edge, (Accordion solo)

The Score is published by Edition Avantus

https://www.edition-avantus.de/akkordeon-solo/circle-around-the-edge.html

2014:  

Whisper, (clarinet/bass clarinet Bb, cello, piano), Ensemble Asamisimasa, Oslo, Leic ht über Linz, 2016.

COMplex COMbinations, (percussion trio- 4 Timpani, Marimba, Vibraphone, Cow Bells, Plate Bells, Tam-tam, Bass drum, Snare drum, Crystal Glasses, 3 Suspended Cymbals, 5 Tempelblocks, Triangle, Sleigh bells, Maracas)

4 Small Pieces at one tone, (flute/ alto flute, alto/ tenor saxophone)

4 Images on 4 Strings, (solo cello)

1/1, 2, 4, 6, 12, (Harp, Crystal Glasses)

2013:  

Partial(s), (flute, clarinet Bb, horn, piano, violin, viola, cello)

Miniature G*, (clarinet Bb, cello, piano)

Énergie Latent, (for full orchestra)

Sylvia Plath/ Schubert “Death and The Maiden”, (flute, clarinet Bb, solo mezzo soprano, mixed choir, violin I, violin II, viola, cello)

Five Sketches – 7 Variations, (piano solo)

2012:  

Solo Tuba

String Quartet, (violin I, violin II, viola, cello)

Vlelectronics, (tape)

2011:  

Circa C*, (flute, clarinet Bb, alto saxophone, piano, violin I, violin II, viola, cello)

2 Aspects of a Music, (flute, clarinet Bb, piano, violin I, viola, cello, contrabass)

2010:  

Violin Solo

Slow Dance, (piano)

Trio Violin-Clarinet-Piano (Nr 71 J.S.B)

2009:  

10 minus 1 (9 Variations and a Theme), (piano)

Violin- Percussion, (one player

2008:  

Kambi, (solo bass clarinet)