{"id":233,"date":"2019-09-05T11:07:40","date_gmt":"2019-09-05T11:07:40","guid":{"rendered":"http:\/\/eleniralli.com\/?page_id=233"},"modified":"2023-04-09T14:32:01","modified_gmt":"2023-04-09T14:32:01","slug":"eleni-ralli","status":"publish","type":"page","link":"https:\/\/eleniralli.com\/?page_id=233","title":{"rendered":"Eleni Ralli"},"content":{"rendered":"

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ACADEMIC<\/u><\/strong><\/h1>\n
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Publications<\/u><\/strong><\/h2>\n

Books (eg Master Thesis)<\/u><\/strong><\/h2>\n

2022:<\/u><\/strong>  <\/h2>\n

PhD-Dissertation (Aristotle University of Thessaloniki) \u201cThe influence of Harry Partch\u2019s instruments and musical language in the composition 43 in 43<\/em> for ensemble and an investigation for an alternative notation system.\u201d<\/p>\n

https:\/\/ikee.lib.auth.gr\/record\/342327\/files\/GRI-2022-36920.pdf   <\/p>\n<\/div>\n<\/div>\n

2021:<\/u><\/strong>   <\/strong><\/h2>\n

Master-Thesis (<\/strong>Musik- Akademie Basel\/Hochschule f\u00fcr Musik, Spezialised Master in Musical Performance: Composition)<\/p>\n

Eleni Ralli: 43 in 43<\/em>, A piece in 5 Cycles<\/em>, 13+1 Scenes<\/em> on Images and their 12+1 Transitions<\/em>, For an Ensemble of Harry Partch and Western Musical Instruments, Composed and dedicated to Ensemble Musikfabrik Cologne<\/em>, Duration 43\u2019<\/p>\n

2018: <\/u><\/strong>  <\/strong><\/h2>\n

Masterarbeit (Universit\u00e4t Bern, Master in Research on the Arts): Harry Partchs The Letter<\/em>: Ein kritischer Vergleich dreier Fassungen (1943, 1955, 1972)<\/p>\n

2016:<\/u><\/strong>  <\/h2>\n

Master – Thesis (Musik- Akademie Basel\/Hochschule f\u00fcr Musik, Master in Composition\/ Music Theory): George Aperghis<\/em> \u201eSituations\u201c An analysis<\/p>\n

Published on George Aperghis website<\/p>\n

https:\/\/www.scribd.com\/document\/429521490\/Eleni-Ralli-Situations-An-Analysis#<\/a><\/p>\n

https:\/\/www.aperghis.com\/programmenotes.html<\/a><\/p>\n

Papers\/Articles<\/u><\/strong><\/h1>\n

202<\/u><\/strong>1:<\/u><\/strong>   <\/strong><\/h2>\n

\u201cHarry Partch\u201d, in KDG (Komponisten der Gege<\/em>nwart)<\/em> Lexicon Article<\/p>\n

https:\/\/www.nachschlage.net\/search\/document?id=17000000431&type=text%2fhtml&template=%2fpublikationen%2fkdg%2fdocument.jsp<\/a><\/p>\n

\u201c<\/strong>Parallelen und Modifikationen der Notation in verschiedenen Quellen von Harry Partchs Seventeen Lyrics by Li Po. Schwierigkeiten und Transkriptionsvorschl\u00e4ge\u201d, in: Der doppelte Po und die Musik. Chinesisch-r\u00e4toromanische Studien, besonders zu Li Po, Harry Partch und Chasper Po<\/em>, hg. von Mathias Gredig, Marc Winter, Rico Val\u00e4r und Roman Brotbeck unter redaktioneller Mitarbeit von Daniel Allenbach, W\u00fcrzburg: K\u00f6nigshausen & Neumann 2020, pp. 449-476, <\/p>\n

doi.org\/10.26045\/po-021<\/a><\/p>\n

https:\/\/www.hkb-interpretation.ch\/fileadmin\/user_upload\/documents\/Publikationen\/Der_doppelte_Po\/DdPo_21_Ralli.pdf<\/u><\/p>\n

\u201cHarry Partch’s Letter from Hobo Pablo – Excerpt from “Bitter Music” (1943<\/em>); Transcription as a Tool for Analysis and Understanding of Harry Partch’s Musical Language<\/em>\u201d, in Mikrot\u00f6ne: Small is Beautiful, III<\/em>, pp. 124-154. Mackingerverlag<\/p>\n

2020:<\/u><\/strong>  <\/strong><\/h2>\n

\u201cHarry Partch\u2019s Enigmatic Musical Notation\u201d, in HKB Zeitung<\/em>, No 1\/2020, p.12.           <\/p>\n