{"id":36,"date":"2019-05-06T08:50:04","date_gmt":"2019-05-06T08:50:04","guid":{"rendered":"http:\/\/eleniralli.com\/?page_id=36"},"modified":"2020-06-24T12:41:27","modified_gmt":"2020-06-24T12:41:27","slug":"books","status":"publish","type":"page","link":"https:\/\/eleniralli.com\/?page_id=36","title":{"rendered":"Books"},"content":{"rendered":"\n

Brotbeck,\nRoman (2015): \u201cAvantgardist wider Willen. Zum Komponisten und Instrumentenbauer\nHarry Partch (1901\u20131974)<\/em>\u201d, in: Programmbuch Festival<\/em> <\/em>Klangspuren, <\/em>Schwaz 2015, pp. 13-15.<\/p>\n\n\n\n

Brotbeck,\nRoman (2013a): \u201cWhen things are hoping. Gedanken zur europ\u00e4ischen\nErstauff\u00fchrung von \u201aDelusion of the Fury\u2019 von Harry Partch und zum Nachbau\nseiner Instrumente\u201d, in: Dissonance <\/em>124 (September 2013), pp.\n18-27. <\/p>\n\n\n\n

Brotbeck,\nRoman (2013b): \u201cContre le temp\u00e9rament \u00e9gal: de Juli\u00e1n Carrillo \u00e0\nHarry Partch\u201d, in: Th\u00e9ories de la composition musicale au XXe\nsi\u00e8cle<\/em>, direction scientifique Nicolas\nDonin et Laurent Feneyrou, Volume 1, Lyon: Sym\u00e9trie, pp. 269-280.<\/p>\n\n\n\n

Brotbeck, Roman (2004): Die historischen Selbstkonstruktionen von Juli\u00e1n Carrillo, Harry Partch\nund Ivan Wyschnegradsky\u201d, in: Musik und Verstehen<\/em>, hrsg. v.\nChristoph v. Blumr\u00f6der, Laaber: Laaber (Spektrum der Musik Bd. 8), pp. 176-184.<\/p>\n\n\n\n

Brotbeck,\nRoman (1994): \u201cHarry Partch. A Humanizing Alchemist\u201d,\nin: Dissonanz<\/em>,\nNr. 39 (Februar 1994), pp. 12-20.<\/p>\n\n\n\n

Drummond,\nDean (1994): \u201cOn Newband and the Partch Instruments 1\/1\u201d, in:\nThe Journal of the Just Intonation Network <\/em>8\/4\n(November 1994), pp. 14-19.<\/p>\n\n\n\n

Dunn,\nDavid (2000): Harry\nPartch. An Anthology of Critical Perspectives<\/em>,\nAmsterdam: Harwood Academic Publication.<\/p>\n\n\n\n

Ekman, Petter Karl Magnus (2011): The Intonation Systems of Harry Partch<\/em>, BA Thesis, Iceland Academy of the Arts, Music Department, Iceland. http:\/\/skemman.is\/stream\/get\/1946\/8545\/22578\/1\/Lokaritgerd.pdf<\/a> <\/p>\n\n\n\n

Fritsch, Johannes (1978): \u201cDie Tonalit\u00e4t des\nHarry Partch\u201d, in: Avantgarde-Jazz- Pop\/Tendenzen zwischen\nTonalit\u00e4t und Atonalit\u00e4t<\/em>, hrsg. Reinhold Brinkmann, Mainz:\nSchott, pp. 107-122.<\/p>\n\n\n\n

Garland,\nPeter  (1997): Six American Composers:  Partch, Cage, \nHarrison,  Nancarrow, Tenney,\nBowles<\/em>, Berlin: Merve.<\/p>\n\n\n\n

Garland,\nPeter (1982): Americas:\nEssays on American Music and Culture<\/em>,\n1973-80, Santa Fe: Soundings Press.<\/p>\n\n\n\n

Georgiades, Thrasybulos (1958): \u201cMusik\nund Rhythmus bei den Griechen. Zum Ursprung der abendl\u00e4ndischen Musik\u201d, in: Rowohlts Deutsche Enzyklop\u00e4die 61<\/em>, Hamburg: Rowohlts, pp. 93-98.<\/p>\n\n\n\n

Gilmore, Bob (2015): \u201cWahrhaft\nRadikale Musik\u201d, in: MusikTexte. Zeitschrift f<\/em>\u00fcr<\/em> neue Musik<\/em>, 144, pp. 57-65.<\/p>\n\n\n\n

Gilmore, Bob (2003): \u201cThe Climate\nSince Harry Partch\u201d, in: Contemporary\nMusic Review<\/em>, 22\/1-2, pp. 15-33.<\/p>\n\n\n\n

Gilmore, Bob (1998): Harry\nPartch, A Biography<\/em>, New Haven: Yale University Press. <\/p>\n\n\n\n

Gilmore,\nBob (1995): \u201cChanging the Metaphor. Ratio Models of Musical Pitch in the Work of\nHarry Partch, Ben Johnston and James Tenney\u201d,\nin: Perspectives of New Music<\/em>,\nvol. 33\/1-2, pp. 458-503.<\/p>\n\n\n\n

Gilmore,\nBob (1992): \u201cOn Harry Partch\u2019s Seventeen Lyrics by Li-Po\u201d,\nin: Perspectives of New Music,<\/em>\n30\/2, pp. 22-58.<\/p>\n\n\n\n

Granade,\nSamuel Andrew (2014): Harry\nPartch: hobo composer<\/em>, Rochester NY: University\nof Rochester Press.<\/p>\n\n\n\n

Granade,\nS. Andrew (2010): \u201cRekindling Ancient Values: The Influence of Chinese\nMusic and Aesthetics on Harry Partch\u201din:  Journal oft the Society for American Music, <\/em>4\/1\n(February 2010), pp. 1-32.<\/p>\n\n\n\n

Hackbarth, Glenn (1979): An Analysis of Harry Partch\u2019s Daphne of the\nDunes<\/em>, DMA thesis, University of Illinois.<\/p>\n\n\n\n

Harlan, Brian Timothy (2007): One voice: a reconciliation of Harry Partch\u2019s\ndisparate theories<\/em>, Diss. University of Southern California Los Angeles.<\/p>\n\n\n\n

Hatherley,\nStephen Georgeson (1892): A\ntreatise on Byzantine music<\/em>. London: W. Reeves.<\/p>\n\n\n\n

Helmholtz,\nHermann von (1885), On\nthe Sensations of Tone as a Physiological Basis fort he Theory of Music<\/em>.\nTranslated by Alexander j. Ellis\nLondon: Longmans, Green.<\/p>\n\n\n\n

Helmholtz, Hermann von (1913) [1863]: Die Lehre von\nden Tonempfindungen als physiologische Grundlage f\u00fcr die Theorie der Musik<\/em>.\nSechste Ausgabe,\nBraunschweig: Friedr, Vieweg & Sohn.<\/p>\n\n\n\n

Johnson,\nCharles William Leverett (1896): Musical pitch and the measurement of intervals among the ancient\nGreeks<\/em>. Baltimore: J. Murphy.<\/p>\n\n\n\n

Johnston,\nBen (1975): \u201cThe Corporealism of Harry Partch\u201din:\nPerspectives of New Music, <\/em>13\/2\n(Spring-Summer 1975), pp.85-97.<\/p>\n\n\n\n

Johnston,\nBen (1983-84): \u201cBeyond Harry Partch\u201d in: Perspective\nof New Music<\/em> 22\/ 1-2 (Autumn-Summer 1983-84), pp. 223-32.<\/p>\n\n\n\n

Kakinuma, Toshie (1989): The musical instruments of Harry Partch as an\napparatus of production in musical theatre, <\/em>Ph.D. University of California, San\nDiego.<\/p>\n\n\n\n

Kassel, Richard M. (2000): \u201cBarstow\nas History. An Introduction to the Sound World of Harry Partch\u201c, in: Harry Partch, Barstow. Eight Hitchhiker\nInscriptions form a Highway Railing at Barstow, California [1968 Version]<\/em>, (Ed.) Richard M. Kassel (Music\nof the United States of America, 9), Madison: A-R Editions, pp. xiii-Ixxix.<\/p>\n\n\n\n

Kassel, Richard\nM. (1996): The Evolution of Harry\nPartch\u2019s Monophony<\/em>, Ph.D. diss., City University of New York.<\/p>\n\n\n\n

McGeary, Thomas (1991): The Music of Harry Partch. A Descriptiv Catalog<\/em>, New York: Institute for Studies\nin American Music, Conservatory of Music, Brooklin College of the City\nUniversity of New York.<\/p>\n\n\n\n

Partch,\nHarry (2000): Bitter\nMusic<\/em>, Collected\nJournals, Essays, Introductions and Librettos<\/em>,\n(Ed.) Thomas McGeary, Illinois: University of Illinois Press.<\/p>\n\n\n\n

Partch,\nHarry (1974): Genesis of a Music<\/em>,\nSecond Edition, Enlarged, New York: Da Capo Press. <\/p>\n\n\n\n

Partch, Harry (1949): Genesis of a\nmusic. Monophony. The relation of its music to history<\/em>, Madison: University\nof Wisconsin Press.<\/p>\n\n\n\n

Partch, Harry (1933): Exposition of Monophony<\/em>, unpublished Typo script.<\/p>\n\n\n\n

Safari, Sarvenaz\/Stahnke, Manfred (2014): 1001\nMikrot\u00f6ne\/ 1001 Microtones<\/em>, Hamburg: Von Bockel.<\/p>\n\n\n\n

Savage, David Allen (1994): Voice\n& Soul: Intrinsic Descriptions of Harry Partch\u2019s Keyboard and String\nInstruments<\/em>, University of California.<\/p>\n\n\n\n

Schlesinger,\nKathleen (1944): \u201cThe Harmonia: Creator of the Model System of\nAncient Greek Music\u201d<\/em>, in:  Music Review<\/em>, 5, pp. 7-94.<\/p>\n\n\n\n

Schlesinger,\nKathleen (1939): The\nGreek aulos; a study of its mechanism and of its relation to the modal system\nof ancient Greek music, followed by a survey of the Greek harmoniai in survival\nor rebirth in folk-music<\/em>. London: Methuen &\nCo. <\/p>\n\n\n\n

Schlesinger,\nKathleen (1933) [1900]: \u201cFurther notes on Aristoxenus and musical intervals\u201d,\nin: Classical Quarterly<\/em>, pp. 88-96.<\/em><\/p>\n\n\n\n

Schlesinger,\nKathleen, and Henry George Farmer (1925): Is European Musical Theory Indebted to the Arabs?<\/em>, London: Harold\nReeves.<\/p>\n\n\n\n

Schneider, John. (2015) : The Contemporary Guitar. Revised & Enlarged Edition<\/em>, USA : Rowman & Littlefield.<\/p>\n\n\n\n

Spengler, Oswald (1973) [1918]: Der Untergang Des\nAbendlandes<\/em>, M\u00fcnchen: Beck.<\/p>\n\n\n\n

Stahnke, Manfred \n(2005): Mikrot\u00f6ne und mehr: Auf Gy\u00f6rgy Ligetis Hamburger Pfaden<\/em>,\nHamburg: Von Bockel.<\/p>\n\n\n\n

Schweidler, Walter (1987): Die \u00dcberwindung der Metaphysik, zu einem Ende der neuzeitlichen\nPhilosophie<\/em>, Stuttgart: Klett-Cotta.<\/p>\n\n\n\n

Vogel, Martin \n(1963): Die  Enharmonik  der \nGriechen<\/em>,  D\u00fcsseldorf: Verlag \nder  Gesellschaft  zur Forderung der systematischen Musikwissenschaft.<\/p>\n\n\n\n

Vogel, Martin (1954): Die Zahl Sieben in der\nspekulativen Musiktheorie<\/em>, Diss. Phil., Bonn.<\/p>\n\n\n\n

Walter, Johannes Caspar \/P\u00e4tzold, Cordula (2014): Mikrotonalit\u00e4t\n– Praxis und Utopie<\/em>, Herausgegeben im Auftrag der Staatlichen\nHochschule f\u00fcr Musik und Darstellende Kunst Stuttgart (Stuttgarter\nMusikwissenschaftliche Schriften) Pocket book, Mainz: Schott. <\/p>\n\n\n\n

Wesley,\nPaul (1978): A\nStudy of Harry Partch with Particular Emphasis on his Microtonal Tuning System<\/em>, unpublished Typo script, University of Cincinnati.<\/p>\n\n\n\n

Yasser,\nJoseph (1975): A\ntheory of evolving tonality<\/em>. New York: American\nlibrary of Musicology.<\/p>\n","protected":false},"excerpt":{"rendered":"

Brotbeck, Roman (2015): \u201cAvantgardist wider Willen. Zum Komponisten und Instrumentenbauer Harry Partch (1901\u20131974)\u201d, in: Programmbuch Festival Klangspuren, Schwaz 2015, pp. 13-15. Brotbeck, Roman (2013a): \u201cWhen things are hoping. Gedanken zur europ\u00e4ischen Erstauff\u00fchrung von \u201aDelusion of the Fury\u2019 von Harry Partch und zum Nachbau seiner Instrumente\u201d, in: Dissonance 124 (September 2013),…<\/p>\n","protected":false},"author":2,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"ngg_post_thumbnail":0,"jetpack_post_was_ever_published":false,"footnotes":""},"class_list":["post-36","page","type-page","status-publish","hentry"],"yoast_head":"\nBooks - eleniralli<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/eleniralli.com\/?page_id=36\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Books - eleniralli\" \/>\n<meta property=\"og:description\" content=\"Brotbeck, Roman (2015): \u201cAvantgardist wider Willen. Zum Komponisten und Instrumentenbauer Harry Partch (1901\u20131974)\u201d, in: Programmbuch Festival Klangspuren, Schwaz 2015, pp. 13-15. Brotbeck, Roman (2013a): \u201cWhen things are hoping. Gedanken zur europ\u00e4ischen Erstauff\u00fchrung von \u201aDelusion of the Fury\u2019 von Harry Partch und zum Nachbau seiner Instrumente\u201d, in: Dissonance 124 (September 2013),…\" \/>\n<meta property=\"og:url\" content=\"https:\/\/eleniralli.com\/?page_id=36\" \/>\n<meta property=\"og:site_name\" content=\"eleniralli\" \/>\n<meta property=\"article:modified_time\" content=\"2020-06-24T12:41:27+00:00\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data1\" content=\"5 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\/\/eleniralli.com\/?page_id=36\",\"url\":\"https:\/\/eleniralli.com\/?page_id=36\",\"name\":\"Books - eleniralli\",\"isPartOf\":{\"@id\":\"https:\/\/eleniralli.com\/#website\"},\"datePublished\":\"2019-05-06T08:50:04+00:00\",\"dateModified\":\"2020-06-24T12:41:27+00:00\",\"breadcrumb\":{\"@id\":\"https:\/\/eleniralli.com\/?page_id=36#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/eleniralli.com\/?page_id=36\"]}]},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/eleniralli.com\/?page_id=36#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\/\/eleniralli.com\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Books\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/eleniralli.com\/#website\",\"url\":\"https:\/\/eleniralli.com\/\",\"name\":\"eleniralli\",\"description\":\"Eleni Ralli personal webpage\",\"publisher\":{\"@id\":\"https:\/\/eleniralli.com\/#\/schema\/person\/02a00d386be18930f05d38f276225417\"},\"alternateName\":\"Eleni Ralli\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/eleniralli.com\/?s={search_term_string}\"},\"query-input\":\"required name=search_term_string\"}],\"inLanguage\":\"en-US\"},{\"@type\":[\"Person\",\"Organization\"],\"@id\":\"https:\/\/eleniralli.com\/#\/schema\/person\/02a00d386be18930f05d38f276225417\",\"name\":\"eleniralli\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/eleniralli.com\/#\/schema\/person\/image\/\",\"url\":\"https:\/\/secure.gravatar.com\/avatar\/41bf1524f31cfeff4b71f02cd9a0c185ebd689b5b84c6711574f51b90cf81ff3?s=96&d=mm&r=g\",\"contentUrl\":\"https:\/\/secure.gravatar.com\/avatar\/41bf1524f31cfeff4b71f02cd9a0c185ebd689b5b84c6711574f51b90cf81ff3?s=96&d=mm&r=g\",\"caption\":\"eleniralli\"},\"logo\":{\"@id\":\"https:\/\/eleniralli.com\/#\/schema\/person\/image\/\"}}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Books - eleniralli","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/eleniralli.com\/?page_id=36","og_locale":"en_US","og_type":"article","og_title":"Books - eleniralli","og_description":"Brotbeck, Roman (2015): \u201cAvantgardist wider Willen. Zum Komponisten und Instrumentenbauer Harry Partch (1901\u20131974)\u201d, in: Programmbuch Festival Klangspuren, Schwaz 2015, pp. 13-15. Brotbeck, Roman (2013a): \u201cWhen things are hoping. Gedanken zur europ\u00e4ischen Erstauff\u00fchrung von \u201aDelusion of the Fury\u2019 von Harry Partch und zum Nachbau seiner Instrumente\u201d, in: Dissonance 124 (September 2013),…","og_url":"https:\/\/eleniralli.com\/?page_id=36","og_site_name":"eleniralli","article_modified_time":"2020-06-24T12:41:27+00:00","twitter_card":"summary_large_image","twitter_misc":{"Est. reading time":"5 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"WebPage","@id":"https:\/\/eleniralli.com\/?page_id=36","url":"https:\/\/eleniralli.com\/?page_id=36","name":"Books - eleniralli","isPartOf":{"@id":"https:\/\/eleniralli.com\/#website"},"datePublished":"2019-05-06T08:50:04+00:00","dateModified":"2020-06-24T12:41:27+00:00","breadcrumb":{"@id":"https:\/\/eleniralli.com\/?page_id=36#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/eleniralli.com\/?page_id=36"]}]},{"@type":"BreadcrumbList","@id":"https:\/\/eleniralli.com\/?page_id=36#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/eleniralli.com\/"},{"@type":"ListItem","position":2,"name":"Books"}]},{"@type":"WebSite","@id":"https:\/\/eleniralli.com\/#website","url":"https:\/\/eleniralli.com\/","name":"eleniralli","description":"Eleni Ralli personal webpage","publisher":{"@id":"https:\/\/eleniralli.com\/#\/schema\/person\/02a00d386be18930f05d38f276225417"},"alternateName":"Eleni Ralli","potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/eleniralli.com\/?s={search_term_string}"},"query-input":"required name=search_term_string"}],"inLanguage":"en-US"},{"@type":["Person","Organization"],"@id":"https:\/\/eleniralli.com\/#\/schema\/person\/02a00d386be18930f05d38f276225417","name":"eleniralli","image":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/eleniralli.com\/#\/schema\/person\/image\/","url":"https:\/\/secure.gravatar.com\/avatar\/41bf1524f31cfeff4b71f02cd9a0c185ebd689b5b84c6711574f51b90cf81ff3?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/41bf1524f31cfeff4b71f02cd9a0c185ebd689b5b84c6711574f51b90cf81ff3?s=96&d=mm&r=g","caption":"eleniralli"},"logo":{"@id":"https:\/\/eleniralli.com\/#\/schema\/person\/image\/"}}]}},"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/PaX8Qq-A","_links":{"self":[{"href":"https:\/\/eleniralli.com\/index.php?rest_route=\/wp\/v2\/pages\/36","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/eleniralli.com\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/eleniralli.com\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/eleniralli.com\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/eleniralli.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=36"}],"version-history":[{"count":7,"href":"https:\/\/eleniralli.com\/index.php?rest_route=\/wp\/v2\/pages\/36\/revisions"}],"predecessor-version":[{"id":416,"href":"https:\/\/eleniralli.com\/index.php?rest_route=\/wp\/v2\/pages\/36\/revisions\/416"}],"wp:attachment":[{"href":"https:\/\/eleniralli.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=36"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}