{"id":38,"date":"2019-05-06T08:50:25","date_gmt":"2019-05-06T08:50:25","guid":{"rendered":"http:\/\/eleniralli.com\/?page_id=38"},"modified":"2020-06-24T13:00:14","modified_gmt":"2020-06-24T13:00:14","slug":"articles","status":"publish","type":"page","link":"https:\/\/eleniralli.com\/?page_id=38","title":{"rendered":"Articles"},"content":{"rendered":"\n<h3 class=\"wp-block-heading\">Caspar Johannes Walter &#8211; Publications<\/h3>\n\n\n\n<p><strong>\u201eZum Projekt der\ndurchscheinenden Et\u00fcden\u201c<\/strong><\/p>\n\n\n\n<p><em>Blick zur\u00fcck nach vorn<\/em>, ein Buch zur\npraemoderne, <\/p>\n\n\n\n<p>Th\u00fcrmchen Verlag, K\u00f6ln 1992<\/p>\n\n\n\n<p>Online frei zug\u00e4nglich unter:<\/p>\n\n\n\n<p><a href=\"https:\/\/www.casparjohanneswalter.de\/texts\/durchscheinende_etueden\">https:\/\/www.casparjohanneswalter.de\/texts\/durchscheinende_etueden<\/a><\/p>\n\n\n\n<p><strong>\u201eMehrkl\u00e4nge auf dem Klavier<\/strong><\/p>\n\n\n\n<p><strong>Vom Ph\u00e4nomen zur Theorie und Praxis\nmikrotonalen Komponierens\u201c<\/strong><\/p>\n\n\n\n<p><em>Mikrotonalit\u00e4t \u2013 Praxis und Utopie<\/em><\/p>\n\n\n\n<p>Herausgegeben von Cordula P\u00e4tzold und Caspar\nJohannes Walter<\/p>\n\n\n\n<p>Stuttgarter Musikwissenschaftliche Schriften,\nBand 3<\/p>\n\n\n\n<p>Edition Schott, Mainz 2014<\/p>\n\n\n\n<p><strong>\u201eMikrotonales Komponieren in der\nKompositionsp\u00e4dagogik\u201c<\/strong><\/p>\n\n\n\n<p><em>Positionen 110<\/em><\/p>\n\n\n\n<p>Berlin, Februar 2017<\/p>\n\n\n\n<p><strong>\u201eVer-r\u00fcckte Musik: aus dem Labor Beethoven\n2020\u201c<\/strong><\/p>\n\n\n\n<p><em>Journal der K\u00fcnste 09<\/em> <\/p>\n\n\n\n<p>Akademie der K\u00fcnste Berlin, Januar 2019<\/p>\n\n\n\n<p>(zweisprachige Publikation in Deutsch und in\nEnglisch)<\/p>\n\n\n\n<p><strong>\u201eWas uns das Geh\u00f6r erz\u00e4hlt<\/strong><\/p>\n\n\n\n<p><strong>Reingestimmte Viertelt\u00f6ne \u2013 ein Paradox?\u201c<\/strong><\/p>\n\n\n\n<p><em>Erkundungen, Gegenwartsmusik als Forschung und\nExperiment<\/em><\/p>\n\n\n\n<p>Herausgegeben von J\u00f6rn Peter Hiekel<\/p>\n\n\n\n<p>Ver\u00f6ffentlichungen des Instituts f\u00fcr neue\nMusik und Musikerziehung Darmstadt, Band 59<\/p>\n\n\n\n<p>Edition Schott, Mainz\n2019<\/p>\n\n\n\n<p><strong>\u201eHinter der Musik verschwinden. Nachruf auf\nErik O\u00f1a\u201c<\/strong><\/p>\n\n\n\n<p><em>MusikTexte 163<\/em><\/p>\n\n\n\n<p>K\u00f6ln, 2019<\/p>\n\n\n\n<p><strong>Multiphonics on vibrating strings<\/strong><\/p>\n\n\n\n<p>Translation, Carter Williams<\/p>\n\n\n\n<p>ABSTRACT<\/p>\n\n\n\n<p>Multiphonics on vibrating strings have been an important element in my\ncompositions since the early 1990s. In order to calculate the frequency\ncomponents of so-called pure multiphonics (multiphonics consisting of harmonic\npartials of the fundamental) on vibrating strings, I developed my fraction\nwindowing algorithm. After the first section detailing the use of multiphonics\nin my compositions, the second part of the article discusses in detail how the\nfraction windowing algorithm works and its relationship to the closely related\nmathematical concept of a continued fraction. Another important aspect of this\nwork are the online apps I have developed as tool for composers and performers\nwho are interested in using these methods in their own work on string\nmultiphonics. <\/p>\n\n\n\n<p>(116 Words)<\/p>\n\n\n\n<p><em>Tempo, Vol. 74, No 291<\/em><\/p>\n\n\n\n<p>Cambridge Universitary\nPress, January 2020<\/p>\n\n\n\n<p>Online unter:<\/p>\n\n\n\n<p><a href=\"https:\/\/www.cambridge.org\/core\/journals\/tempo\/issue\/3655B6D8704DB8B723815C29F7A7D4CC?sort=canonical.position%3Aasc&amp;pageNum=1&amp;searchWithinIds=3655B6D8704DB8B723815C29F7A7D4CC&amp;productType=JOURNAL_ARTICLE&amp;template=cambridge-core%2Fjournal%2Farticle-listings%2Flistings-wrapper&amp;hideArticleJournalMetaData=true&amp;displayNasaAds=false&amp;fbclid=IwAR2T36W1Iu5x-9EJnBMH2VYkLhGMwSQG6STDtZ_Q2g_zi2JfWcqh-AJ7Vqw\">https:\/\/www.cambridge.org\/core\/journals\/tempo\/issue\/3655B6D8704DB8B723815C29F7A7D4CC?sort=canonical.position%3Aasc&amp;pageNum=1&amp;searchWithinIds=3655B6D8704DB8B723815C29F7A7D4CC&amp;productType=JOURNAL_ARTICLE&amp;template=cambridge-core%2Fjournal%2Farticle-listings%2Flistings-wrapper&amp;hideArticleJournalMetaData=true&amp;displayNasaAds=false&amp;fbclid=IwAR2T36W1Iu5x-9EJnBMH2VYkLhGMwSQG6STDtZ_Q2g_zi2JfWcqh-AJ7Vqw<\/a><\/p>\n\n\n\n<p><strong>\u201eLabor Beethoven 2020<\/strong><\/p>\n\n\n\n<p><strong>Ein Entfaltungsraum von Ideen\u201c<\/strong><\/p>\n\n\n\n<p><em>Journal der K\u00fcnste 12<\/em><\/p>\n\n\n\n<p>Akademie der K\u00fcnste Berlin, M\u00e4rz 2020<\/p>\n\n\n\n<p>(zweisprachige Publikation in Deutsch und in Englisch)<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">Mark Sabat &#8211; Publications<\/h3>\n\n\n\n<p>Sabat,\nMark (2009): <em>On\nBen Johnston\u2019s Notation and the Performance Practice of Extended Just\nIntonation<\/em>, Berlin. <a href=\"http:\/\/www.marcsabat.com\/pdfs\/EJltext.pdf\">http:\/\/www.marcsabat.com\/pdfs\/EJltext.pdf<\/a><\/p>\n\n\n\n<p>Sabat, Mark\u00a0 (2005): <em>The Extended Helmholz-Ellis JI Pitch Notation<\/em>, [s.I.]: Plainsound\u00a0 Music Edition. <\/p>\n\n\n\n<h3 class=\"wp-block-heading\"> John Schneider &#8211; Publications<\/h3>\n\n\n\n<p><strong>\u201cThe Microtonal Guitars of Harry Partch\u201d<\/strong> <\/p>\n\n\n\n<p><em>Soundboard Scholar #1<\/em>, 2015. <\/p>\n\n\n\n<p><strong>&#8220;Partch:  Re-Genesis of a Music&#8221;<\/strong> <\/p>\n\n\n\n<p>&#8220;<em>Kongressbericht \u201cMikrotonalit\u00e4t: Praxis &amp;  Utopie,\u201d<\/em> , Stuttgart 2011. Mainz: Schott Verlag, 2014.<\/p>\n\n\n\n<p><strong>\u201cOrgan Transplants: Recreating Partch\u2019s Chromelodeons\u201d<\/strong><\/p>\n\n\n\n<p><em>Reed Organ Society Quarterly<\/em> , <em>Vol. XXXI<\/em>, No. 2.<\/p>\n\n\n\n<p><br> <strong>&#8220;Bringing Back Barstow\u201d<\/strong><\/p>\n\n\n\n<p><em>GUITAR REVIEW,<\/em>  No.95, Winter 1993 ; pp. 1\u201314,  2012 .<br><br> <strong>\u201cHarry Partch\u201d<\/strong><\/p>\n\n\n\n<p><em>Soundboard,  <\/em>Vol. X, No.3, 1983 ; pp. 260\u2013264. <\/p>\n\n\n\n<p><br> <strong>\u201cBen Johnston at Eighty\u201d<\/strong><\/p>\n\n\n\n<p>Schneider, J. (ed.), <em>1\/1: The Journal of the Just Intonation Network 12<\/em>, no. 3 , 2007 <\/p>\n\n\n\n<p><br>  <strong>\u201cTampering with Nature: Playing in Unequal Temperaments,\u201c &amp;  \u201cPure Magic: Composing &amp; Performing in Just Intonation\u201d<\/strong><\/p>\n\n\n\n<p>Sarvenaz, S. &amp; Stahnke, M. (ed. ), 1001  Microtones, Neum\u00fcnster:  Bockel-Verlag, 2014. <\/p>\n\n\n\n<p> Reid, Roger, <strong>\u201cChromelodeons: The Adapted Reed Organs of Harry Partch\u201d<\/strong><strong> <\/strong><em>ROS Bulletin: Quarterly of the Reed Organ Society<\/em>, Vol. XVI, No.1 (Spring 1997): 11-16. <\/p>\n","protected":false},"excerpt":{"rendered":"<p>Caspar Johannes Walter &#8211; Publications \u201eZum Projekt der durchscheinenden Et\u00fcden\u201c Blick zur\u00fcck nach vorn, ein Buch zur praemoderne, Th\u00fcrmchen Verlag, K\u00f6ln 1992 Online frei zug\u00e4nglich unter: https:\/\/www.casparjohanneswalter.de\/texts\/durchscheinende_etueden \u201eMehrkl\u00e4nge auf dem Klavier Vom Ph\u00e4nomen zur Theorie und Praxis mikrotonalen Komponierens\u201c Mikrotonalit\u00e4t \u2013 Praxis und Utopie Herausgegeben von Cordula P\u00e4tzold und Caspar&hellip;<\/p>\n","protected":false},"author":2,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"ngg_post_thumbnail":0,"jetpack_post_was_ever_published":false,"footnotes":""},"class_list":["post-38","page","type-page","status-publish","hentry"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v21.0 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Articles - eleniralli<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/eleniralli.com\/?page_id=38\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Articles - eleniralli\" \/>\n<meta property=\"og:description\" content=\"Caspar Johannes Walter &#8211; 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